Rainbow
with Egg
Underneath and an Elephant
The Films Alan Parker
Alan Parker - Biography 1
(1944 - )
Biography from Baseline
Occupation: Director
Also: Writer
Born: February 14, 1944, Islington, England
Alan Parker began his career when he and partner Alan
Marshall founded a production company to make industrial films and
commercials. Between 1969 and 1978, Parker churned out over 500 television
commercials, winning every major industry award, while he was cited as an
important influence on both fashion and film style of that time. Parker
adeptly used lighting, and his sense of drama as a feature film director
seems to come as much from his early need to convey a message in 30
seconds as from a sense of pictorial grace.
In 1973, Parker wrote and directed a 50-minute film, NO
HARD FEELINGS, which the BBC bought and eventually aired several years
later. EVACUEES (1975), his first film produced for the BBC, brought
attention from the theatrical marketplace, and in 1976 he and producer
David Puttnam collaborated on Parker's debut as a director/writer, BUGSY
MALONE, a musical spoof of gangster films with an all-children cast. His
second feature, MIDNIGHT EXPRESS (1978), based on the true story of an
American arrested in Turkey for drug smuggling, earned six Oscar
nominations and won for best screenplay adaptation and score. Parker has a
knack for turning diverse subjects into uniquely personal statements.
After his popular success with the stylish FAME (1980), he turned to a
sensitively detailed examination of relationships in SHOOT THE MOON
(1982), and in PINK FLOYD-THE WALL (1982) he expanded the themes of the
bestselling rock concept album, employing innovative animation techniques.
The quirky BIRDY (1984) and the controversial ANGEL HEART
(1987) solidified Parker's position as a highly visual storyteller whose
pallette makes use of the soundtrack as well as strong imagery.
MISSISSIPPI BURNING (1988), a glossy recreation of a famous civil rights
murder case, was praised for its fine performances (particularly by Gene
Hackman as a veteran FBI man) but drew fire for its glib reworking of
history. THE COMMITMENTS (1991) was an enjoyable, if equally glossy, story
about the rise and fall of an Irish soul band.
Always fiercely independent, Parker has often lambasted
the British film establishment and film critics. No stranger to
controversy, he took on the ratings board of the MPAA and personally
challenged their "X" rating of ANGEL HEART. Parker has also
authored a compiliation of satirical cartoons, Hares in the Gate (1982),
and in 1984 produced A TURNIP HEAD'S GUIDE TO BRITISH CINEMA, a sarcastic
documentary which ridiculed the critical mentality, a film that delighted
his filmmaking contemporaries as well as his four children, whom he has
cited as his chief inspiration.
Alan Parker - Biography 2
(1944 - )
Occupation: Director
Also: Writer
Born: February 14, 1944, Islington, England
An advertising gofer turned writer and director, Alan Parker began his
film career through his association with producer David Puttnam, another
advertising man with cinematic aspirations, who hired Parker to write the
screenplay for the pre-teen romance Melody (1971). After a stint directing
television commercials and short films for the BBC, Parker made his first
film, Bugsy Malone, in 1976. He joined the front ranks of young filmmakers
two years later with the fact-based thriller Midnight Express, a
brilliant, brutal retelling of the experiences of a young American who
escaped from a Turkish prison where he had been incarcerated for drug
possession. Both an exposé of government corruption and an indictment of
American pomposity, it earned lavish acclaim and a number of honors,
including a Best Director Oscar nomination for Parker.
The director followed this success with another two years
later, the mega-hit Fame. A box office smash, it spawned a long-running
television series and became a fixture in the American pop culture
lexicon. Parker's next movie, Shoot the Moon (1982), was a relative
failure despite several superb performances, owing in part to its
unpleasant subject matter, the agonizing breakup of a marriage. Later that
same year, Parker rebounded with a spectacular achievement in a more
difficult category of film with Pink Floyd The Wall, an adaptation of a
Pink Floyd concept album that received critical approval and attracted a
substantial audience.
Similarly acclaimed was Parker's next film, Birdy (1984):
the tale of a Vietnam veteran who experiences flight fantasies, it won the
Jury's Grand Prize award at the Cannes Film Festival. The director had his
next major success with Mississippi Burning (1988): a recreation of the
investigation of the murders of three civil rights workers in Mississippi
in the mid-'60s, it struck a responsive chord with the public and critics
alike. Parker's 1991 The Commitments, a blissful, beautifully structured
adaptation of Roddy Doyle's novel of the same name, proved to be a genuine
sleeper hit and earned a number of honors, including a Best Director BAFTA
for Parker.
Following the disappointment of his next film, The Road to
Wellville (1994), Parker was back with Evita (1996), a high profile
adaptation of Andrew Lloyd Webber's hit musical. Starring Madonna as the
title character, the beloved, controversial Argentinean first lady Eva
Peron, the film received mixed critical notices, although it did prove
popular with many audience members. Three years later, Parker returned to
Irish soil to direct Angela's Ashes, an adaptation of Frank McCourt's
Pulitzer Prize-winning novel. Starring Emily Watson and Robert Carlyle, it
was one of the year's more highly anticipated films. Bruce Eder
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